In The Interior Was Always Ours at Wa Na Wari, Erin Mitchell draws on Black Southern quilting traditions to explore home, family, and identity. Her layered works bring together varied fabrics, faces, and architectural forms, including a quilt shaped like a house. Mitchell uses the familiar warmth of a quilt to reveal the stories and lives held within domestic spaces. This exhibition ended in January 2026, so the listing is suitable for an archive rath
